Saturday, December 29, 2012

A boy and his tiger


Yann Martel’s novel Life of Pi reaches the screen in spectacular fashion thanks to Ang Lee (Crouching Tiger, Hidden Dragon; Brokeback Mountain). The largest part of the film features two characters – one human, one animal – adrift at sea, and Lee makes sure to provide some breath-taking ocean-bound imagery as the film unfolds. From the star covered skies mirrored in a flat ocean surface to phosphorous night-time aquatic visitations, Life of Pi is, if nothing else, visually tantalizing viewing. Even the 3D is functional; I could hear audience members gasp for breath during a storm sequence and also where Lee allows us to enter a frame in a comic book.

Life of Pi tells the story of Pi Patel who leaves India for Canada after his father decides to relocate the family to the West for financial reasons. Along for the boat ride are all of the family’s animals that they acquired while running a zoo, including a Bengal tiger called Richard Parker after a name registration mishap. A savage storm hits, and Pi (Suraj Sharma) finds himself on a lifeboat with the tiger, a hyena and a zebra. The film details Pi’s attempts to stay alive and not lose hope while caught between the pitiless if beautiful sea and a hungry carnivore. Throughout, Pi finds his faith in God tested as sharks circle the boat and the sun beats down relentlessly. The story is framed by a journalist interviewing the adult Pi (Irrfan Khan) on his extraordinary adventure, a tale that, according to Pi’s uncle, will make a man believe in God.

But it’s best to not think too much of the film’s religious dimensions, which get increasingly fluffy towards the film’s end. Pi’s initial interest in various religions is entertaining and sympathetic, and once he is out to sea, his faith is a necessity for survival. As an adventure based on the relationship between a boy and a tiger and as a psychological drama the film works like a charm, but as a spiritual film, it’s a real meringue. The final explanation of how the story makes one believe in God is a horrible theological cop-out. 

Yet I remain in awe of the film’s visual effects, and with how much emotional heft Lee invests Pi’s relationship with Richard Parker. Lee establishes the animal as predator kept alive by instinct, but as Pi explains, there’s more to animals, and to the tiger in particular, than just basic instincts.It's a gripping story of survival and resilience; don't be too put off by the design-your-own-brand approach to religion.

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